I am of two minds of this. While I LOVE my EWI 4000s, with it’s great analog synth engine, the EWI 5000 offers a number of interesting improvements (wireless, rechargeable battery, etc). My “beef” with the 5000 is that it just doesn’t sound like an “EWI”. You don’t sound like Brecker with it. You sound like you are trying (and generally failing) to be whatever SAMPLE you are playing. Flute, clarinet, harmonica, whatever.
Now, if they come out with an EWI 6000 that marries the 4000s and 5000s together, I’d buy one.
” Technology is changing the very nature of not just music consumption but how music is written and produced. People need to know that they’re being both manipulated by music technology and missing out on a full music experience. Alan Cross shares the subtleties of today’s music delivery systems and questions what it means for the future of music. “
From intellectualtakeout.org, this article was very very good.
Throughout grade school and high school, I was fortunate to participate in quality music programs. Our high school had a top Illinois state jazz band; I also participated in symphonic band, which gave me a greater appreciation for classical music. It wasn’t enough to just read music. You would need to sight read, meaning you are given a difficult composition to play cold, without any prior practice. Sight reading would quickly reveal how fine-tuned playing “chops” really were. In college I continued in a jazz band and also took a music theory class. The experience gave me the ability to visualize music (If you play by ear only, you will never have that same depth of understanding music construct.)